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Get 12 kids' video transitions. All from our global Premiere Pro · Popular Items . Happy Transitions Pack - Clouds | Smoke | Circles. by Bogz in Kids. Clips Amazing Premiere Pro templates with professional graphics, creative edits, neat project organization, and detailed, easy to use tutorials for quick results. Feb 12, - Check out this list of the best Adobe Premiere Pro template downloads. Get a jump start Before you buy After Effects. What is After You'll find transitions, titles, logo reveal templates, and more on this list. If you aren't For the kids or the kids-at-heart, a bright, fun template to add some joy to your video!

We do not often think about the importance of spaces and punctuation. They are essential aspects of reading and writing. While our brains are actively processing words, sentences and paragraphs on a conscious level, our subconscious minds passively dance over the gaps and punctuation marks, adding understanding that allows us to accurately interpret the intended meaning of the writer.

While most of us never stop to contemplate the importance of those gaps, marks and squiggles that we use when we write, the shared unconscious understanding of what they mean is absolutely essential for there to be communication that breeds comprehension. There is a lot more to written communication than stringing the right letters together. The way we connect the words we use is an equally important part of clear communication, and in a similar way, you need to think about the way you connect your shots to communicate clearly through video.

For years, we have taught that the transition effects that we use when we edit TV, film and video are like the punctuation marks we use when we write. Cuts, dissolves, fades, wipes and visual effects transitions all carry meaning that unconsciously communicates comprehension to our viewers so they can understand the relationships between the shots and scenes on their screens.

Most viewers are as unaware of transitions as readers are of spaces. Whether our viewers can explain the use of transitions or not, on a subconscious level, they have been conditioned to understand what they mean. There is a language to the transitions we use in our videos.

As producers, we need to know what we are saying with our transition choices to stitch our shots together effectively. Cuts When used properly, cuts are all but invisible to the average viewer. Where dissolves and visual effects transitions take place over a span of several frames, a cut is instantaneous.

It is a switch. In effect, the cut connects things in space and time even if they are separated in the real world. When a cut is used between individual shots of two people having a conversation in an interview for instance, the viewer believes the two are interacting in real-time. In reality, they may have been shot on the same set, but on different days. The cut also connects exterior shots with interior scenes.

So if we see shot A of the outside of an office building, followed by shot B of a businessman talking on the telephone, the cut leads us to believe that the office of the executive in shot B is inside the high-rise shown in shot A. This high-rise shot would be considered the establishing shot. It establishes where elements are in the scene. This technique is used in TV shows especially sitcoms and movies all the time. Often the exteriors are shot on location, and the interiors are shot on studio sound stages.

An actor in the first shot looks off camera and we cut to — whatever we want him to be looking at. The cut connects the two in a way that joins them in space and time, even if both shots were recorded in different places or at different times. The cut is a powerful tool for the editor. It functions simultaneously as both a razor and glue without drawing attention to itself. Because it is both powerful and inconspicuous, the cut is the most used transition of all, and it should not be neglected by editors at any level.

Some say that 95 percent of your edits should be connected by cuts. We might push that recommendation as high as 99 percent. For some people, transitions can become a crutch that takes the place of thoughtful editing. There is room to hide a lack of precision in a frame dissolve, but not with a cut. Cuts are out there for everyone to see. They are the definition of razor-edge frame-accuracy, and they force us to scrutinize our edit decisions.

Dissolves A dissolve is a transition in which two clips overlap in time for a period of several frames. During this time the outbound clip decreases in opacity as the inbound increases. The result is a soft, smooth transition. Where the cut connects clips in time and space, the dissolve signifies a short lapse in time or a change of location.

Take for example a scene where a man steps onto an elevator and the doors close. We then dissolve to a shot of the same man getting into his car. The dissolve indicates that time has passed and the location has changed. Using dissolves between shots in a conversation that is supposed to take place in real-time can confuse your viewers and leave them suspicious that something has been cut.

When you do use dissolves, one important consideration is duration. The duration of the dissolve greatly affects the feel, and appeal, of the edit. A dissolve that is frames long is conspicuous, but conservative. It does the job without drawing undue attention to itself.

Fades Fades to and from black indicate a longer passage of time. Take this example, we see a boy getting tucked into bed at night by his father, the scene fades to black, then fades in again as he awakes the next morning to the sound of chirping birds. The fade to black in this case represents eight or 10 hours of time. Or maybe we see the boy getting tucked into bed, followed by a fade to black, then a fade in on a similar shot of an adult man waking up. And, as viewers, we accept it because we have been conditioned to understand what is represented by that simple fade.

Unlike dissolves, the duration of fades in and out of black has no bearing on the amount of time represented. A second or two of black is plenty long. The most important thing is to fade back in before your viewers turn off their screens or leave the room, thinking the video is done. A trick contained in some theatrical releases that can also signify bonus content coming up.

Wipes and Visual Effects Transitions Wipes and visual effects transitions are designed to call attention to themselves. These are the digital video effects DVE , including pushes, wipes, flips, flops and fly-bys. They also include matte effects like heart wipes, dripping paint, falling sheep and silhouetted people wipes along with those cool professionally produced 3D animated after-market effects that can make you look like an Adobe After Effects expert.

There are thousands of them out there. Your editing app is likely pre-loaded with a great selection of them. They are flashy and fancy and they will tempt young and inexperienced editors with their drag and drop simplicity. But, if you want your productions to be taken seriously, you need to approach them with caution and use them with prudence. What you think will offer you an instantaneously elevated production quality may well make you look like an absolute amateur.

If you want to use wacky effects in those kinds of edits, go right ahead. You need all the help you can get. Naturally, our eyes follow movement, so adding some in your transition can be an attention-grabber. For the rest of your work you would do well to back out of the transition effects directory and lose the link.

Conclusion One of the best ways to become better at choosing and using transitions is to study what you see on TV. For the best results, pay attention to national broadcasts, not locally produced programs. Watch a newscast, a sports event, a talk show, a news magazine program, a reality show and a sitcom.

As you watch, try to count the cuts, dissolves, fades and special effects transitions. When you see something other than a cut, note why and how it was used. Interview Tips Survive the Test of Time As mentioned in the story, you can cut between two people talking to make it look like there are two cameras and two mics when in reality the interviewer may be sitting alone and the interviewee has left the building. This is a time tested interview technique.

Mic and record the interview guest, then send the talent on his or her way. Later, reposition the camera to shoot the host asking questions to an empty chair or to a stand-in. When cut together, the scene plays like a real-time interview. An added advantage is that the questions can be re-written after the interview is complete to make the host sound more intelligent and better informed. Transitions to Retire There are some transitions that have been so over used, or are just so blatantly bad, that they need to fade into obsolescence.

Here are the nominees: While the Fonz will always be cool, this wipe went out with feathered hair and the Ford Pinto. King me! Game over. The Heart Wipe — The first time we saw it, it was kind of cute. Sort of the Valentine of video effects. But the heart wipe has been beat to death and it has haunted unsuspecting wedding videos ever since. Wedding videography has grown into a highly specialized category of professional production, and the people who do it for a living hate the heart wipe.

The Star Wipe — The star wipe officially jumped the shark when The Simpsons had an episode that made fun of it. OK, I finished editing the gardening sequence.

OK, from here we star wipe to a glamour shot of Flanders paying his bills, then we star wipe to Flanders brushing his teeth. Dad, there are other wipes besides star wipes. Why eat hamburger when you can have steak? Chuck Peters is a 3-time Emmy award-winning writer and producer.

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Extensive Ease of use Premiere Elements caters to the consumer-level video editor, so it stands to reason that it would be easier to get into and use. This is evident on multiple levels ranging from pre-made editing options through the intuitive interface to the ease with which you can apply effects and export your creations. When in Quick Edit mode, the program scans your computer for media and places it along the timeline in a logical order.

This introduces you to the basics of a storyboard approach to video editing. Additional resources are only a few clicks away though, so finding the help you need if you get stuck is easy. There are a few tutorials that go over the basic layout and major new additions, but these presuppose some video editing knowledge. Customization is where Premiere Pro excels though.

You can move or resize each of the four main windows as well as add frequently-used tool shortcuts to speed up your workflow.

Users working on professional editing monitors can access tools by tapping on them, zoom in and out on the timeline, and arrange items on it quicker than with a mouse. Most of its features revolve around analyzing your videos or photos and producing memorable creations perfect for sharing with friends, family, or the public at large. Auto Creations is the simplest form of generated content. Guided Edit has a wealth of video-shaping features. The most interesting of these is Smart Trim, which focuses on parts of the source video that are action-packed or feature human interaction.

Running a video through Smart Trim results in more dynamic and engaging clips and gets rid of dull content. Need a good still photo of someone from a video? Use the Candid Moments feature. Want to emphasize a dramatic scene by prolonging it? Freeze Frame can help. Unique transitions are a great way of making your video more appealing, and Premiere Elements now has 20 of them, including one that simulates viewing someone through glass and multiple styles of dissolving one scene into another.

It features more than twice as many transitions as Elements, and additional ones can be accessed via plug-ins. Professionals will be more impressed with the nuanced color adjustment options possible with Lumetri Color Tools, however. You can even edit the color of parts of the video like faces or important details in the background. Multicam support is lacking in Elements while Premiere Pro CC has full support for seamlessly blending together footage shot from different angles.

Premiere Pro CC can capture video directly from your screen and has more in-depth options for titles and closed captions than Elements.

For example, you can adjust the perceived space in which the audio was recorded to make it appear larger or smaller than it actually is. Premiere Elements comes with lots of high-quality sound effects like explosions or the hum of an air conditioner that make your videos sound more professional. You can add musical scores from different genres too. Their length automatically adjusts to your video so there are no awkward silences or transitions.

Premiere Pro CC lets you mix audio professionally and apply changes during real-time playback. It features a rich set of bars, mixers, and effects for nuanced audio adjustment.

Alternately, you can leave sound level adjustment in the hands of the automated mixer and still get great-sounding audio while cutting down on production time considerably. There are more than 50 audio effects at your disposal in Premiere Pro CC. This panel offers a simplified overview of frequently-used sound effects.

More importantly, it groups them into ones suitable for dialogues, ambiance, music, and SFX. This streamlines audio editing and helps you apply the correct effects for any situation. Take how it handles files as an example. It makes use of metadata to let you sort footage by size and length, but also by the location or people present. Clips and photos can be automatically categorized into special events too.

Sharing videos is as easy as choosing the platform you want to publish them on like Vimeo, Facebook, or YouTube. Tailoring a video to a specific device is easy too — you just select a preset like console, computer, or mobile, and Premiere Elements will do the rest.

Premiere Pro CC has more refined sharing options than Elements. More importantly, it allows creators to collaborate on a video through Team and Shared Projects. Shared Projects give access to a video to multiple users on the same network. This lets each user make changes and leave notes to others to speed up workflow and share ideas as they emerge. Shared projects can be locked. This means that one user can restrict others to have read-only access. Users with this access level can access playback controls, export the project in multiple file formats, and even copy assets for use in other projects.

However, only one person can make changes to them. The following are the minimum required specs for Premiere Elements and Pro. Even though the minimum specs are enough to handle all video editing features, it is recommended that you invest in a more powerful computer for better stability and faster rendering times.

Adobe Premiere has forgiving system requirements. It needs a 2. Mac users must have a bit multi-core processor though. A graphics card is recommended but not needed to run it.

The program takes up 6 GB of disk space. Premiere Pro CC is much more resource-intensive. The license grants you access to automated video editing and asset organization options as well as video sharing.

The downside is that you only get updates while this version of the program is supported, i. The pricing structure for Premiere Pro CC varies depending on the user. All payment options are subscription based. While more expensive, the payment plan for Premiere Pro CC is also more generous. All users get both large and small updates at no additional cost. There are even more benefits based on license type. Elements is a godsend for anyone who wants to put together a video in minutes without worrying how to do it, and it is the perfect training ground to introduce interested users to concepts like storyboarding, workflow, and effects editing.

Its superior compatibility and customization options, as well as a plethora of editing features, ensure that creativity is the only thing that limits you as an artist.


How To Use It In Premiere Pro - Kids YouTube Package

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